It’s also one of the widest units here, with the space on either side of the lens dedicated to large dual microphones. With no way to twist the camera, however, its design is static compared to rivals. The C930e is a better choice for presenters thanks to its wider 90° field of view capturing more of the background, but the C925e’s 78° is perfect for everyday meetings where you need to stay centre of frame – not too big, not too small. Nor will you have to fiddle with settings to find the right colour intensity or white balance, with the onboard processing doing such a good job that the fact you can take fine control over both aspects becomes a check in a box rather than a meaningful feature. Just like the more expensive C930e, it puts you in the best light – even in the worst light.
Start recording with the C925e, however, and the difference in quality becomes instantly clear.
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